I learned that in order for the green screen to work, multiple lights, all in various places, need to be pointed at the green screen figure so that it lacks any unwanted shadows that will cause a mighty inconvenience when chroma-keying.
There was even a green light available for pointing at the green screen, so that also deflects any shadows. The disadvantage of this is that sometimes, the light could cast on the figure, giving it a green glow, which could cause a flaw in keylighting.
Since shadows are completely inevitable and thus cannot be completely eradicated, I could simply use adjustments in After Effects to remove the shadows. Though this could cause some color setbacks on the origami models.
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